@ soho open house video 2
<prototype>
@ soho open house video 2
<prototype>
By the middle of the semester, I basically realized that I had absolutely no idea as to what I wanted to do for this class. I had a few ideas involving cassette tape, but that area was being explored by roughly 1/4 of the class, so I decided to go back to the drawing board(although I still really want to work with cassette tape loops in the future).
I’ve had this big obsession with synth-drums for the past four years; the image of the stoic, austere Peter Hook rhythmically hitting the Simmons tom on Top of The Pops in 1983 was probably one of the most prominent images I associated with synth-pop of the 1980s(probably my favorite genre of music ever). Additionally, after building revision 3 of my VGA video synth(a synth that I was working on in Ranjit’s other class) earlier in the semester, I still had the idea of doing visuals for class stuck in my head like light-blue fun-tak or something.

I decided to make a video synthesizer, in which Red, Green and Blue VGA output would be generated by a set of logic chip oscillators triggered by drum pads(the construction of which I assumed to be piezo-something, but I <i>still</i> have no idea about piezos–where the heck do you find huge piezo elements?). It was gonna be really cool.
After Thanksgiving, I decided to start working. I previously got a single logic chip oscillator to work, with a little LFO-type thing happening by tying a second chip into the voltage of the first one. I tried really hard to get that to generate video output, but that didn’t end up working. In fact, the chip blew up. Subsequent attempts to get other chips to work failed as well. At one point my breadboard started to smoke!
In a moment of desperation, I turned to my various tiny speech chips. At first, I destroyed my brand-spanking new Soundgin chip by accidentally reversing the pinouts in my head. A few minutes later, however, I successfully set up one of my Speakjet chips, getting it to interface properly with my Arduino. I even got a potentiometer to trigger all 128 different preset sounds(the result was really cool and IDM-y)!
The next challenge was finding a way to make drum pads. My first instinct, the whole piezo thing, just sucked. My second idea was to replicate the technique literally patented by Kraftwerk: to basically create a big button. While one end of the circuit, V+, would be connected to an aluminum drum stick, the other end, the drum pads themselves(also in aluminum) would be connected to Ground with a resistor and an arduino digital input to detect the whole thing. When the Arduino detects the completion of the circuit, the Arduino sends serial out to the Speech chip. After roughly a week of trying to find makeshift drum pads, I found(with Ranjit’s help) perfect pads and sticks at Pearl, which sold nice metal plates and rods. Once I got everything put together, the whole thing worked really nicely(although the speech chip just wouldn’t interrupt any speech playback, resulting in some kinda weird rhythms). The video part was supposed to be next, but then it just sort of fizzled out(mostly because I found out that the performance space didn’t really have any convenient video inputs, and I didn’t really want to destroy my video synth by having it fly across the room). So, I got a nice big piece of soundproof foam and mounted that and I was finished! I went on to practice n’ stuff with Sam and Yelena.
We now have a record deal.
No, not really.

‘last of the super sine wave generators’
This instrument uses two microchips, both are a Intersil ICL8038. The controlled with a resistance duty cycle and can produce sin, square or triangle waves. For the purpose of this project I was just using sine waves. I purchased these microchips after doing research into making a wein bridge oscillator which was invented in 1891 by Max Wien, also the inventor of the “Löschfunkensender”.
At this point I am hoping to miniaturize the project and organize the functionality better – that and figure out how to play it. Here is a recording with added phaser:
test recording
Naming History:
4. knapp jabberbox.03
3. Sine Wave Interference Synthesizer (SWIS)
2. knapp electrobox01
1. The Knapp Electric Questioner
The semester ended up with a mix of unexpected succes and failure. To start with the dissappointing:
My tape cylinder machine never quite got finished. I spent too much time setting up this nifty lever to
operate a speed control only to find out that actually making that control was more difficult than I expected. I figured that if I just put a potentiometer between the power supply and the motor it would give me a variable voltage that would vary the speed of the motor. While this is true, finding the right potentiometer for the job was difficult. I started with what I had at hand a one mega-ohm pot. This was way too big. by the time I turned it one tenth of the way up, the resistance was so high that the motor stopped altogether. Same results with a 500 kilo-ohm, 100 k-ohm and a 10 k-ohm pot. I think that a 25 ohm (no prefix) might have worked. The end result was that I had a fancy on-off switch and no time to make any tape samples.
Like every unfinished project, I hope to find the time and motivation to work on this next semester but we will just have to wait and see about that.
On the other hand, my harmonic Cello came together really well and exceded my expectations. 

You’ve all seen it but I should just take a minute to describe it fully. It has two strings about 4 feet long. These strings are made of heavy piano wire. I had to use this because guitar strings are not long enough and actual cello or bass strings are very expensive. The strings are attached to screws at one end and guitar tuners at the other. The key to making this a harmonic cello is that there is a bridge in the middle which divides each string into two equal lengths. The pickup, which is a normal electric guitar pickup is at one end (the bottom) and any bowing plucking and fingering is done on the top half. This way the pickup only hears echoes and overtones from the notes played on the other half.
The instrument was very simple to contruct. It was based on the harmonic guitar which is described in the Bart Hopkins book. What surprised me about it was the variety of sounds I was able to get out of it. Cascading harmonics, bends and plucked open notes all give amazingly resonant sounds. By sliding my finger lightly down the string while bowing, it makes natural arpeggios running through the overtone series. The best part about it though is the natural reverb that rings on every note. The unbowed, unfingered portion of the string continues to ring even though the bowed part is dampened.
All in all, I was really happy with the work I did in class as the tape machine was a great learning experience and the cello was a musical success.

Material: wood, metal slice, screw, iron box, attached mic, jack, metal guitar strings, tuners, paint
This is a slide guitar with a slide rod on a track. It can switch pitch easily by moving the slide and be connected to an amplifier. The total cost is about 10 dollars.


original appeareance
We offer you a sneak preview of our upcoming album; Xing Raw Live.
Hello all,
As you know, my instruments are my two little robots named Freddy and Teddy.
Shown below is Freddy and my dog Penny. (not sure why they are sideways, the editor is giving me a hard time) He is an older robot with a highly integrated circuit board and therefore I couldn’t get much actual bending accomplished with him. So instead, I am using a potentiometer to distort his sounds to create very interesting new ones. Freddy can say every letter in the alphabet, tell time, use a cell phone, tie his shoe, cross the street and sing a song. He can also store a sequence of numbers and say them back to you if you use his cell phone. He is smart.


Below is Teddy a modern talking robot with an LED screen. Teddy is bilingual and can speak English and Spanish. He can count, go through the alphabet and sing a silly song. I was able to bend Teddy’s sound by pressing on the circuit board with a screwdriver as shown. I can control the pitch and distort the sound a bit.



Unfortunately, I misplaced my guitar cable so I can’t connect these guys to my computer (I think I left it in class one day). I plan on recording their sounds for the world to hear tomorrow.
Here’s my recorded sound. Or sounds, rather.